Monday, June 16, 2014

Writing Process Blog Tour

I've been tagged for the Writing Process Blog Tour that's been going around the internet, where writers talk about what they write, how they write, etc. Last week, my friend and last year's Golden Heart winner for Paranormal Romance, AE Jones, posted her blog here.
So here's a little bit about me…


What am I currently working on?

I'm working on first-round edits for the first of three books I sold to Entangled Indulgence, about a woman who wins her venture capitalist ex-lover in a charity bachelor auction and drags him (quite unwillingly) back home to their small town in order to thwart his hostile takeover of her family’s shoe company. Mayhem ensues--but it might just turn into a joint venture of the heart. There’s a family feud, two crotchety grandparents, and some small town craziness before these two people who can’t keep their hands off each other finally get together. No release date yet, but stay tuned! 
I just finished rewriting my Golden Heart winning manuscript from last year, and I’m working on the second book in my Indulgence series.
How does my work differ from others of its genre? 

I love books with deep emotion and a lot of smart humor and sass. I work really hard to get those qualities into my work. We’ll see how well I succeeded!
Why do I write what I write? 
I didn’t start out writing Contemporary Romance. I actually have the drafts of four Regency novels in boxes in my closet. I wrote my first contemporary as a break from the research-heavy historicals and somehow my contemporary voice clicked. Or, I finally figured out how to plot well enough that the middle of my novel didn’t sag and droop. I think it’s one thing to capture an agent’s attention with a dynamite beginning but a whole other process to sustain that can’t-wait-to-turn-the-page feeling throughout an entire book.
How does my individual writing process work?
I treat it like a job, the same routine every day. So much so that when my dog sees me pick up the coffee mug every morning, she (politely) demands a rawhide chew and accompanies me up to my office. (Her version of working along with me!) I pretty much abandon every household chore that I can until mid-afternoon. 
Of course, family and other demands can suck time away so I have a daily word count goal and I do my best to accomplish that. I watch very little T.V. but when I take breaks I love to read. As with any career, life balance is important so I try to exercise and tend to body, mind, and spirit. It’s hard to get away from your job when you work at home. Leaving the work behind is hard for me!
I used to pants my way through a story but I now force myself to first do a blurb, then a synopsis and three chapters. The synopsis is so painful, but it forces me to look ahead to all the major turning points and do my best to plan the black moment to be the blackest of the black for both hero and heroine. I've found this to save a lot of heartache and time when the plot meanders into dangerous territory that you need to dig it out from. That's not to say the characters change things up as they will (they're all so determined and stubborn!), but the general structure gives me goals to aim for.
My advice to those trying to be published the traditional way is to learn enough craft to get noticed. My agent, Jill Marsal, worked with me to take my draft to a whole new level, and now my editor is doing the same. So put yourself in a position to always work with people--starting with your critique partners--who push you to become better.

So thanks for stopping by. Does anyone have any other advice for writers pursuing publication, traditional or otherwise?

Now I’m tagging new author Christine Glover, whose first novel for Entangled Indulgence debuts on June 30th. I met Christine when she happened to sit at my table last year at the RWA Awards ceremony. Check her out on the Writing Process Blog Tour on her website next Monday, June 23!
Born in the Netherlands, Christine moved to Canada where she spent her formative years. Then she married her Texan Alpha Physicist, moved to the United States and she has lived both south and north of the Mason Dixon line. Now Christine resides in Alabama with her husband, two insane cats and her wonderful daughter. She enjoys finding the silly in the serious, making wine out of sour grapes, and giving people giggle fits along with heartfelt hugs. When she’s not writing, you can find her traveling the world, cooking gourmet food, and desperately seeking a corkscrew.
Blog: www.christinegloverauthor.com
Facebook Page: www.facebook.com/pages/Christine-Glover/158387587541698
website: www.christinegloversite.com
Join my newsletter here http://eepurl.com/L8Yh5


And take a look at Christine's gorgeous cover and blurb for The Maverick's Red Hot Reunion (isn't it red hot!):



Can he satisfy his craving without losing his heart?
Corporate Maverick Zach Tanner returns to North Carolina to rebuild his dying friend's resort. He's got the money, the power, and the will to transform Sweetbriar Springs into a premier spa for the glamorous, but he doesn't count on the woman he once loved…and lost…to handle the construction contract. Zach thought he'd buried his desire for Kennedy five years ago. He was wrong, and now he’s determined to satisfy his craving...

Construction company owner Kennedy Gibson is eager to restore Sweetbriar Springs, but when she realizes Zach is her new boss she's terrified he'll learn the truth about their breakup so long ago. She vowed never to hurt him again, but she can't deny the passion he reignites in her. She wants to believe she has a chance for a different future with him, but will her secret threaten to destroy their red-hot reunion?

Buy Links:


Monday, June 9, 2014

Come Check Out Paranormal Author AE Jones on the Writer's Process Blog Tour!

My friend, chapter mate, and fellow 2013 Golden Heart Winner AE Jones makes her rounds on the Writer's Process Blog Tour today.

AE is the GH Winner for Paranormal Romance, and she's created a kick-butt heroine who will have you laughing out loud and crying, too.

Read all about her process and upcoming debut novel at http://aejonesauthor.com

Oh, and she's tagged me for next week!

What a night! Sarah MacLean, me, AE Jones, and Eloisa James at RWA 13.

Here we are at last year's RWA Awards Night--wearing our GH necklaces--standing with the awesome Sarah MacLean and Eloisa James, who were our RITA-winning table mates. What a night that was!

Friday, May 23, 2014

Giveaway! of A Sweet Life Romance e-Book Boxed Set for Diabetes Research


Happy Memorial Day weekend!

I'm participating in the A Sweet Life Boxed Set Book Blitz with Xpresso Book Tours.

Have you heard about this 1500-page anthology featuring stories by Brenda Novak and thirteen more of our favorite authors, all the proceeds of which go to diabetes research? 

I'm giving away one (1) e-book boxed set copy of A Sweet Life. 100% of the proceeds go to the Diabetes Research Institute via Brenda Novak's Online Auction for Diabetes Research.

All you have to do is leave me your name and email in the comments section. (I swear I won't use your email for any other reason!) The Giveaway will run through Monday, May 26, at 11:59 p.m. The winner will be chosen at random announced Tuesday, May 27, at 9 a.m.

The prize book will be sent out after June 19th. 

International entries are welcome. 

In case you don't win, the buy links for this great deal (only $2.99!) are included below.  

Take a look at all the great authors who have contributed to this anthology for this great cause:




Book & Author Details:

A Sweet Life Boxed Set (Fourteen Contemporary Romances by Bestselling Authors to Benefit Diabetes Research)
Publication date: May 1st 2014

Synopsis:
Have your cake and eat it too–your purchase of A Sweet Life helps fight against diabetes!
Priced at only 2.99 (regular price 7.99), indulge in this stunning limited edition collection of fourteen contemporary romances by New York Times and USA Today Bestselling authors…
You can make a difference while you read! All proceeds from the sale of A Sweet Life will be donated to the Diabetes Research Institute via Brenda Novak’s Online Auction for Diabetes Research.
Featuring a foreword by #1 New York Times Bestselling Author Debbie Macomber.
Get your copy today!
1500 pages/ 675 000 words
I Only Have Eyes For You by Bella Andre (The Sullivans)
The only woman wealthy Irish pub owner Jake McCann wants is the one he can’t have–Sophie Sullivan, his best friend’s off limits sister. But when the beautiful librarian appears on his doorstep as his every fantasy come to life, even though Jake knows loving Sophie isn’t the right thing to do…how can he possibly resist?
On A Night Like This by Barbara Freethy (Callways #1)
From #1 NY Times Bestselling Author Barbara Freethy comes the first book about the Callaways, a big Irish family born to serve and protect, many as San Francisco firefighters.
May Day! By Heather Graham
Members of the Krewe of Hunters team plan a relaxing vacation to jolly old London for the English celebration–they never figured that a May Pole just might be murder.
Shopping for a Billionaire by Julia Kent
When mystery shopper Shannon Jacoby meets billionaire Declan McCormick with her hand down a toilet in the men’s room of one of his stores, it’s love at first flush.
Built to Last by Susan Mallery
The tale of Aaron Cross, a man who doesn’t know he needs saving…until he meets Marissa Spencer, a heroine inspired by the real life founder of the Motheread/ Fatheread Literacy Program.
A Baby of Her Own by Brenda Novak
Delaney is tired of waiting for the right man–all she wants is a baby. After seducing a handsome stranger, she returns to Dundee to find that same man is actually taking up residence on a ranch just outside of town–where he will very likely realize she’s expecting.
Dare to Love by Carly Phillips
In relationships, Ian Dare offers the bare minimum–until one glimpse of sensual Riley Taylor changes his perspective. Their affair heats up and love comes into play, but Riley’s secret past just might cost them everything.
Executive Seduction by Jennifer Probst
When Chandler Santell turns to Logan Grant, the most ruthless CEO in the finance industry to save her beloved Yoga and Arts Center, she never intended to have seduction as part of the plan…
In Too Deep by RaeAnne Thayne
Though fiercely drawn to the comfort of Andrea McPhee’s arms, Will Tanner isn’t sure he can find room for a woman like her in a life focused on vengeance–until he discovers she has secrets of her own.
Every Girl Does It by Rachel Van Dyken
Amanda gets a flash from the past when the nerdy kid she rejected in high school suddenly reappears in her life…dead sexy, he’s all man and he wants her.

Homecoming Season by Susan Wiggs

Miranda Sweeney and her family find hope and healing while spending an autumn at Willow Lake after Miranda survives breast cancer.


Goodreads: https://www.goodreads.com/book/show/21857185-a-sweet-life-boxed-set?ac=1

Thanks for helping fight diabetes and Good luck!



Miranda


Friday, March 21, 2014

SOLD!

I'm so happy to announce that I've signed a three-book contract with Entangled Indulgence, who bought a fun and flirty story I wrote last fall that I'll soon tell you all about.

Many thanks to Jill Marsal of Marsal Lyon Literary Agency for getting me there and all my writing friends who've been there through all the ups and downs…and whom I know will be there for whatever is to come.

Stay tuned for many changes ahead!

And yes, it's still snowing here in Ohio on March 21!!! Flakes of joy today, though :)



Friday, February 28, 2014

Subtext: There's Something Else in There Under the Words

After you've got your fast draft down, it's time to start thinking of adding subtext to your story.

So what exactly is it?

Subtext is craft under-the-craft. It's what you, the author, consciously does to manipulate your story to keep your reader excited about your story. It's tension above and beyond what you are creating with your plot.

Subtext is a little complicated, but also a lot of fun. It's the little things we do with our words to keep our reader in a constant state of questioning, of wanting more of our story and our characters.


It's kind of what keeps our reader in suspense, a little off kilter...

(freefoto.com, image #14-19-53,)


Here goes...

I'm not really sure when I learned what subtext is. Like most things, you might read about something but not really "get" it until much later.

I'm still not sure I've "got it," but I think I'm starting to understand it better.

It takes a lot of experience to master subtext, because it requires a lot of conscious manipulating of the text to keep the reader asking questions, wondering what's going to happen next, etc.

Elizabeth Lyon, in her book Writing Subtext, says "Teachers, agents, and editors often tell writers that every story should be about 'the thing and the other thing.' Two sources of tension and suspense:  from plot and from subtext. What is overt and what is covert. If there are multiple things happening between the lines, then you have that many more sources of tension, subterranean focus, thematic possibilities, and character motivations."

So subtext is another level of meaning the operates under the plot. It's multiple layers of meaning under the words. According to Wikipedia, it's (and this is paraphrased) "content that's not announced explicitly."

Subtext takes thought, planning, and revision on the part of the author to consciously place it there, under the events that are going on in the story. Lyon likens it to being an illusionist, who does things with one hand while surprising you with something happening in the other.

Subtext plays a big part in foreshadowing what might happen next in the story. It takes the form of  subtle hints keep your readers on their toes and keep them turning pages.

Here are some examples:


--Using subtext to develop character by creating hidden agendas and motives. A man may bring coffee every morning to his grandmother. Neighbors think he's the best grandson ever. But maybe he's not. Maybe what he's really doing is trying to catch the attention of Gran's hot next door neighbor. Or casing out her house so he can rob it when she's on vacation. The subtle clues you drop through this character's point of view that hint to one reason or the other--that's subtext.

--Nature--e.g., a downpour erupts at the black moment. Okay, that is pretty cliche. Let's try another:  hero is driving through the hot, dry, dead-looking desert, desert reflects the barrenness in his life. You've used nature to reflect a feeling going on inside the character.

--Discordant details. When a detail is introduced that is discordant to all the others, it can signal something. One tiny green sprout in the middle of that cracked dry landscape might signal hope.

--Sexual attraction:  Two characters may "hate" each other but they may do subtle things that give away their attraction for one another. For example, one makes an embarrassing Freudian slip. Blurts out something unexpected. Your heroine may get caught checking out the hero's backside. These things create an undercurrent of sexual tension beneath their protests that they hate one another. Your reader knows they don't really hate one another--and bigger things are coming.

--Subtext foreshadowing danger. Creepy things a villain might say can foreshadow menace to your character. An unease your character might feel might lead you to believe something bad is going to happen to him/her. A change in the weather for the worse can reflect the dangerous story mood.

--When the reader knows something the character doesn't. This leads us to keep reading to find out  when the character is going to find out, will he or she be okay, etc.

--Symbols can be used in all kinds of ways to reinforce theme. I've mentioned weather above. Cutting a rope can symbolize freedom. An old Victorian house that my heroine loves and is associated with strong memories of her youth can symbolize her dreams and wishes for happiness and a real home. An old necklace a heroine wears intentionally to remind herself of an awful past can remind her she is never, ever going back there. (There are many ways to use symbols throughout your story to support theme, this is just a tiny taste.)

 --Subtext in dialogue. Two characters are talking about one thing, when they are really talking about something else. In a romance novel, this undercurrent can be sexual.

This dialogue example is from my current manuscript. Hero and heroine were hight school sweethearts. It's now ten years later and they have lots of reasons not to get along. The hero has come to the heroine's place to make amends and has just run into her father leaving. This is dialogue between the hero and heroine right after her dad leaves:


Brad threw his hands up in surrender. “Hey, I come bearing coffee. And I came to apologize for being so…”
“Judgmental?”
He exhaled. “Yes. Judgmental. I’m sorry.”
His quirked-up smile looked sexy, not sorry. “Then what’s so funny?”

"I just find it hard to believe your father still wants to kill me after all these years.”
“He senses what you did to me way back then.” 
“Take you to prom?” Brad asked innocently.
Olivia's cheeks flushed. “As I recall, we did a little more than just go to prom together.” They stood in the doorway. She was blocking Brad’s way into the house,  and she wasn't sure if she should move. The conversation seemed headed into dangerous territory.
He stepped closer. She could smell his soap and the lingering scent of menthol shaving cream. 
“Let’s see, I believe you’re right,” he said, pretending to scratch his chin thoughtfully. “We also attended senior picnic and the canoe trip. The canoe trip was especially fun.”
“We got lost and ended up alone in the rapids.”
“See what I mean? Once we navigated the rapids, it was just me, you, and that canoe. Especially fun.” Brad waggled his eyebrows.
“As I recall, riding the rapids wasn’t the biggest thrill that day.”  

“No, Sweetness, they weren't.” His gaze traveled slowly up and down her body, sending prickles of awareness pinging at the back of her neck.

In this example, I imply but never explicitly state what happened on that long-ago field trip, but you get a good idea from what is not said.

--The most important use of subtext is to reinforce the theme of your story. The objects, colors, weather and seasons, repeated words or phrases, many of these special details you specifically choose, should all contribute to the underlying meaning you wish to convey. If your theme is about forgiveness, the hero jumping into a clear, cold stream and feeling revived and alive can support this theme. Or in reverse, the heroine's hair getting caught on an unforgiving branch can be a subtle hint about theme in reverse.

Told you that was a little complex, but worth it trying to understand that there is so much more to writing a story than what's going on in the plot.

Off the top of your head, can you think of any examples of subtext from something you've just read?

(If you know of any books that address subtext, please feel free to suggest! The one below is a booklet.)

Source:  Writing Subtext:  How to craft subtext that develops characters, boosts suspense, and reinforces theme, by Elizabeth Lyon, 2013.



Monday, February 3, 2014

Does Routine Unleash Creativity?

I 've been wondering if there is some way to enhance creativity. To free your mind so that it can imagine endless scenarios and ideas that would make plotting easier.

<Chorkle.>

Easier? That's funny. I'm old enough to know nothing, absolutely nothing, in life is easy.

(Well, maybe for some people but I'm just talking about most of us under the bell curve here.)

I've been given the suggestions of mind-altering drugs, alcohol, caffeine, chocolate, yoga, journaling, or meditation, but I'm not sure there is an easy answer.

Twyla Tharp, in her classic book The Creative Habit, gives us some clues to the dilemma of creative work when she says, "If art is the bridge between what you see in your mind and why the world sees, then skill is how you build that bridge."

And skill is learnable. But it's hard work.

We have a saying in my family. "Hard work trumps talent unless talent works hard."

This is optimistic. It means that if you are not born with Supertalents, you can still succeed.

So none of us knows how good we can be, how far we can go. All we can do is give it our all every day and stick to our routines and keep working.

Tharp expounds the benefits of routine, hard work, determination, commitment, and constant hard work in any artistic profession where you first must find out what problem you are going to solve and then set about figuring out how you are going to solve it.

She feels that routine is as much of the creative process or even more than the lightning bolt of inspiration that may or may not come, or comes as it may. But it's a lot more likely to come if we sit in our chairs and keep struggling.

The uncertainty of the creative process often leads to living in a state of constant anxiety which many famous writers have used mind-altering substances to relieve.

So we don't want to go there. But I love Tharp's optimism, that with hard work and passion we can go forward, bold and fearless, to accomplish despite the presence of fear.

So does this mean that creativity get released, paradoxically, when we build the strictest of routines to house it?

It reminds me of something my mom and dad used to say a lot. "Just do your best." And I'll add something that was circulating on Facebook a while ago, "and try not to suck."





Twyla Tharp. The Creative Habit:  Learn It and Use It for Life. Simon and Shuster, 2003.